Rabbanit Kineret Sarah Cohen
The Unpainted Square
As we enter the period of the Three Weeks, known as the Bein HaMe’tzarim, we encounter a world of restrictions. With various laws implemented by our Sages, this time of year is meant to have us feeling that we are missing something and at a loss. We come to realize that something so dear which we once had in our midst – the Beit Hamikdash – is no longer with us.
And then we come home and walk through our front doorway and see something peculiar. There is a little unpainted square positioned right next to the entrance of our house. And then we remember. We have what we call “home,” but Hashem does not. Leaving an unpainted square in our home, as prescribed by our Sages (Bava Batra 60b; Shulchan Aruch, Orach Chaim 560:1), is meant to remind us of the destruction of the Beit Hamikdash.
Yet what is the real significance of this bland square? What is it meant to evoke more than sorrowful emotions?
There is nothing more unpleasant to look at than a square that is unpainted. How sad is it to see something in your life that is drably out of place? How painful is it to see the obvious sign which reminds you of the emptiness you feel and accentuates the difficulties that make life uneasy and incomplete? Suddenly, you are forced to look at the square in your life that is not beautifully painted. You are forced to look at your glass and see it half empty.
But, in truth, the deeper message of the square is not one of despair and remorse. It is quite the opposite. Although the parts of our life which we wish would disappear often persist, there is a silver lining to it all.
The days leading up to the tragic day of Tisha B’av are meant to provide our unsightly square with proper shape. We are supposed to learn how to draw a beautiful picture amidst the narrowness of restriction and mourning. We will then be left with a perspective which uncovers the beauty behind the despair and light behind the darkness.
As a Jewish wedding ceremony comes to a close, the chattan breaks a glass while still standing under the chuppah. Simply understood, the significance of this practice is to remember the destruction of Jerusalem. We are to place within the forefront of our minds the loss of Hashem’s home and Holy City.
Yet why do we go to such great lengths to emphasize the great pain in our lives at a time of immense happiness? Why during the joyous moment of building a home do we focus on the destruction of a home?
It is through this custom that we learn one of the great lessons of life in general, and marriage in particular. It is not always so perfect to have everything in life and marriage complete. There must be a deep-seated feeling of longing for improvement and something greater and better. The broken glass is aimed at reminding the chattan and kallah that there is always more to look forward to both on a personal and mutual level. Never is life or marriage to become painted over with feelings of complacency and perfection. There is always room to grow and become better as people and spouses.
Pondering this leads the chattan and kallah to arrive at a somber realization. They and the rest of their Jewish brothers and sisters have something much bigger to yearn for: the rebuilding of Hashem’s home. Coupled with the enthusiastic anticipation to build a beautiful home of their own must come the deep longing to rebuild the home of our Father in Heaven.
But even now, amid the shambles of exile, a trace of hope and optimism shines forth. Never is our predicament one of utter desolation and abandonment.
In describing the siege of Jerusalem by the Babylonians, the Prophet Yechezkel bemoans, “And then I [Hashem] will stand the city of Jerusalem empty upon its coals” (Yechezkel 24:11). The Midrash notes that Yechezkel was fortunate to have referred to Jerusalem as reika, “empty,” instead of shavur or harus, adjectives which depict destruction and ruination. Had he employed any of the latter terms, he would have been self-prophesying a doomful fate for Jerusalem. Yet, he viewed the loss of the Beit Hamikdash as something of temporary desolation, not utter ruination. He drew the great distinction between something which is empty versus something which is broken. Emptiness can relatively easily be filled, while breakage cannot.
A person in his or her own personal life must share the same perspective. Never is life broken or ruined. It may be empty and unpainted, but there is always hope that it will one day be filled with renewed vitality and vigor.
The unpainted square in our homes is thus aimed at reshaping our view in life. The square itself cannot be rounded out or reshaped, but our perception can. We can come to realize that the imperfections in our life are there to do no less than perfect us. Our troubled situations teach us how to draw nearer to Hashem amidst hardship and how to take solace in His absolute love and care. And it is precisely within that unpainted square that Hashem lives. That is where he finds His dwelling place in our home. That becomes our miniature Beit Hamikdash. Our crushed, forlorn situation becomes filled with Hashem’s comforting presence.
But even before Yechezkel, there was Yeshaya the Prophet. And he too voiced Hashem’s question as to where He dwells. “The Heaven is My Throne and the earth is My footstool; what house could you build for Me, and what place could be My resting place?” (Yeshaya 66:1). Yet listen to the answer Hashem Himself gives. “It is to this that I look: to the poor and low-spirited person who hastens to do My bidding” (ibid., v. 2) The one who feels empty and at a loss where to turn suddenly becomes the address for Hashem’s home. He becomes the building wherein our Father in Heaven finds a resting place on earth.
It is within the drab square which seemingly provides no window of a brighter and better future that Hashem resides. It is there, amid the paleness of life, that a beacon of light yearns to finds its way in. No matter how gloomy and dismal life may seem and no matter how pathetic the square may appear, there is always a ray of light which awaits to shine forth. If amid catastrophe lies the longing for rejuvenation and rebuilding, we can always remain confident that our dreams will one day come true. And when that day finally arrives, that very familiar unpainted square will transform into a beautiful, charming painting for us and our beloved Father to eternally enjoy together.